Embarking on a twisted rollercoaster ride within the Filipino film realm, "A Very Good Girl" serves up a concoction of deception, vengeance, and class struggle all wrapped in a package available on your Netflix list. The plot pivots around Philomena Angeles, alias Mercy Novela, an amalgamation of rage and cunning wits, whose life's trajectory hits a pothole when a heartless dismissal sets off a chain reaction of dire consequences.
As Philomena navigates a world painted with resentment and betrayal, she orchestrates a meticulous plan aimed at dismantling the empire of Mother Molly Suzara, a ruthless retail tycoon she holds responsible for her downfall. The storyline weaves a tapestry of intrigue and retribution as Philomena, consumed by her quest for payback, waltzes through a maze of deceit and moral ambiguities, blurring the lines between protagonist and antagonist.
"A Very Good Girl" is like a mixed bag of your favorite snacks—some flavors hit the spot, while others leave you reaching for something else. Let's start with the goodies. Smart storytelling is the movie's secret sauce. It's like a magician weaving a tale, keeping you hooked with every trick up its sleeve. The plot's twists and turns are like unexpected fireworks on a cozy night—they're thrilling and keep you guessing, adding a sprinkle of excitement to the storyline. And let's talk about acting prowess—the leading ladies, especially Kathryn Bernardo, don't just act; they own the screen. Their performances are like a perfectly executed recipe, leaving you wanting more. And Dolly de Leon as Mother Molly Suzara? She's a force to be reckoned with, a true maestro in the art of villainy, making you both loathe and admire her conniving ways.
But, just like any rollercoaster ride, there are moments when the adrenaline dips. The movie's first half serves a predictable dish, a bit like reheated leftovers—we've tasted this revenge plot before. And the script? It sometimes meanders like a lost traveler in a labyrinth, losing its way and dragging the pacing along with it. The film's mood swings also need a bit of a balancing act. One moment, it's a melodramatic opera; the next, it's a campy comedy. Finding the right note becomes a game of hopscotch, which, let's admit, can be a tad disorienting. And then comes the middle section—picture a backpack overstuffed with unnecessary items, weighing down the journey. It feels a bit drawn out, making you check your watch now and then, hoping for a quicker pace.
However, don't let these setbacks deter you from enjoying the cinematic ride. If you can forgive the bumps, "A Very Good Girl" has enough charm to keep you engaged. Its strengths, like the smart narrative and the powerhouse performances, overshadow the hiccups. Think of it as a wild carnival ride—with its ups and downs, it's still an experience worth trying. The dark comedy, like a pinch of salt in a sweet dessert, adds that unexpected zing that makes you chuckle amidst the drama. And Dolly de Leon's portrayal of a ruthless business mogul? It's like witnessing a captivating dance—every move is calculated, precise, and utterly mesmerizing.
In essence, "A Very Good Girl" is a package deal—you get the highs, the lows, and everything in between. It's not a flawless masterpiece, but it's got its own unique flavor that might just hit the spot for a movie night. So, gather your popcorn, embrace the quirks, and let this tale of revenge, deceit, and a sprinkle of comedy take you on an entertaining, albeit slightly bumpy, joyride.
Final Score- [6/10]
Reviewed by - Anjali Sharma
Follow @AnjaliS54769166 on Twitter
Publisher at Midgard Times