I went into Only We Know expecting a typical romance—perhaps a May-December affair with all the usual trappings. What I got instead was a film that quietly dismantles those expectations, offering something far more nuanced and, dare I say, mature. Directed by Irene Emma Villamor, this 2025 Netflix release is a testament to the power of subtle storytelling and restrained performances.
Charo Santos-Concio, as Betty, delivers a performance that is both graceful and grounded. She portrays a woman who has lived through the highs and lows of life, now navigating the quietude of retirement with a sense of introspection. Dingdong Dantes, playing Ryan, complements her perfectly. His portrayal of a man grappling with grief and the remnants of a past love is both tender and authentic. Together, they create a dynamic that feels both natural and compelling.
The film's pacing is deliberate, allowing the relationship between Betty and Ryan to develop organically. Their interactions are marked by moments of silence, shared glances, and understated conversations. It's a refreshing change from the often over-the-top dialogues that plague many romantic dramas. This restraint in writing and direction allows the audience to truly feel the weight of their connection.
Visually, Only We Know is a treat. Cinematographer Pao Orendain captures the intimate moments between the characters with a softness that mirrors their budding relationship. The use of lighting and framing adds depth to the scenes, emphasizing the emotional undercurrents without overshadowing the performances.
However, while the film excels in many areas, it isn't without its flaws. At times, the slow pacing can feel more like a lull than a build-up. There are moments when the narrative seems to meander, leaving the audience waiting for the next significant development. Additionally, some of the supporting characters, while well-acted, don't add much to the central story. Their subplots, though well-intentioned, occasionally detract from the main narrative rather than enhancing it.
The film also explores similar terrain in its examination of societal criticism and the complexities of nontraditional partnerships. While these topics are significant, they are not handled in a very novel or innovative manner. The cultural constraints on Betty and Ryan are evident, but the film does not delve deeply enough into these themes to offer new insights.
Despite these minor criticisms, Only We Know remains a poignant exploration of love, companionship, and the human need for connection. It's a film that doesn't shout its message but instead whispers it, allowing the audience to come to their own conclusions. In a landscape filled with formulaic romances, this film stands out as a testament to the power of subtlety and restraint.
In conclusion, Only We Know is a film that rewards patience and attentiveness. It's not a grand love story filled with sweeping gestures but a quiet, introspective look at the complexities of human relationships. If you're in the mood for a film that challenges conventional romantic tropes and offers a more grounded perspective on love, this one is worth your time.
Final Score- [7/10]
Reviewed by - Anjali Sharma
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Publisher at Midgard Times