‘The Lady of Silence: The Mataviejitas Murders’ Netflix Review - Mexico’s First Female Serial Killer

Netflix's "The Lady of Silence" is a riveting documentary that shines a spotlight on a harrowing chapter in Mexico City's history—the series of gruesome murders of older women that took place from 1998 to 2006. Directed by María Jose Cuevas and produced by Laura Woldenberg and Ivonne Gutiérrez, the film delves deep into the investigation, offering a comprehensive account of the events that unfolded during those dark years.

The documentary opens with a bone-chilling narration by a woman who discovered her mother as one of the killer's victims. From the very beginning, it sets the tone for an unsettling and suspenseful journey into the world of a serial killer who specifically targeted older women, leaving the entire city in fear and the police baffled. The first murder in 1998 marks the beginning of a reign of terror that would continue for nearly a decade.

The investigative team faced numerous challenges in their pursuit of the killer's identity. At first, they were uncertain about the gender of the perpetrator, leading to raids at places where transgender individuals worked. The gripping narrative reveals the tremendous pressure faced by the Mexican police force, especially in 2003, when the realization dawned that they were dealing with a cunning and elusive serial killer—the first since 1942 when Gregorio Cárdenas Hernández terrorized the city.

As the documentary progresses, it showcases the relentless efforts of the investigative team to solve the case, while also shedding light on the palpable fear that gripped older women and their families across Mexico City. The killer seemed to know precisely when to strike, targeting vulnerable women who were alone. Families were left haunted, afraid to leave their loved ones unattended even for a moment.

"The Lady of Silence: The Mataviejitas Murders" delves deep into the minds of the victims' families and provides insight into how this reign of terror affected the community as a whole. The frustration of the public was evident when the police arrested two individuals, a woman named Araceli Vasquez and a man named Jorge Mario Tablas Silva. The arrests were made based on fingerprints found at different crime scenes, but despite these arrests, the killings continued unabated, leaving the city in constant fear.

However, the documentary takes an unexpected turn in its last 45 minutes, revealing the true identity of the serial killer—the enigmatic Juana Barraza, also known as The Lady of Silence. A former wrestler, Juana confessed to harboring deep-seated anger and hate towards older women due to the trauma inflicted on her by her own mother during her youth. Her chilling revelation adds a new layer of complexity to the story, bringing forth the psychological motives behind the brutal crimes.

The film also explores the disturbing phenomenon of Juana Barraza becoming a social media sensation, with some individuals idolizing her and even dressing up as her. This aspect highlights the macabre fascination that certain sections of society have with serial killers, often overlooking the gravity of their heinous actions.

Throughout the movie director María Jose Cuevas masterfully weaves together interviews, old footage, and performative scenes, creating a compelling narrative that effectively immerses viewers in the horrifying events of the past. However, some viewers might find the over-dramatic transition effects and loud background music somewhat distracting, taking away from the seriousness of the subject matter.

In conclusion, "The Lady of Silence" is a must-watch for true crime enthusiasts and those interested in serial killer documentaries. The film does justice to the victims by giving them prominence over the killer, emphasizing the human tragedy behind these crimes. While it reveals the identity of the serial killer, it also raises thought-provoking questions about the investigation's discrepancies and the remaining unsolved cases, leaving audiences with much to contemplate and discuss long after the credits roll.

Final Score- [8/10]
Reviewed by – Neha Krishna
Follow @Neha25Krishna on Twitter
Publisher at Midgard Times