There’s something refreshing about a film that doesn’t try too hard. Meet the Khumalos, the 2025 Netflix family comedy directed by Jayan Moodley, doesn’t want to change your life or deliver a three-hour morality lecture. It just wants you to hang out with the Khumalo family, laugh at their dysfunction, and maybe see a bit of yourself in the process. And for the most part, it succeeds.
At the center of the storm is Sbu Khumalo (played with just the right mix of ego and obliviousness by Trevor Gumbi), a flashy dad who’s always one step away from a PR disaster. He’s dragged his whole crew—his wife Portia, his kids, his sister, his in-laws, the whole noisy tribe—on a road trip to rural KZN for what’s supposed to be a relaxing family holiday. The idea is to connect. Naturally, things unravel within minutes.
What unfolds is part road-trip comedy, part fish-out-of-water farce, and part reluctant therapy session for a family that clearly prefers avoiding problems to talking them out. The comedy isn’t trying to be clever in a way that distances itself from the audience—it’s right there in the mud, the missed GPS turns, the petty fights over who took whose phone charger, and the passive-aggressive family WhatsApp chats that escalate into cold wars. It’s domestic chaos served with a wink.
The cast is clearly having fun, and the energy is contagious. Gumbi’s comedic instincts are sharp, and his timing keeps scenes moving even when the script leans on overused beats. Busisiwe Lurayi brings a grounded warmth to Portia, the long-suffering mom who’s just trying to keep the group from falling apart. And kudos to the younger actors too—there’s something particularly funny about how the kids roll their eyes through each adult meltdown. They’re not just background noise; they hold their own, especially in scenes where generational tensions bubble up in hilarious ways.
But this isn’t just a collection of jokes loosely held together. Underneath the chaos, there’s a genuine curiosity about what it means to be a modern African family navigating status, heritage, and expectations. The film pokes fun at Joburg's snobbery without turning rural life into a joke. There’s a scene where the Khumalos show up overdressed and overconfident to a humble community gathering—and get gently humbled. It’s not preachy, just pointed enough to make you chuckle and cringe at the same time.
Visually, the film finds charm in contrast. The gloss of the family’s affluent city life rubs awkwardly against the warmth and unpredictability of rural KwaZulu-Natal. There’s no attempt to romanticize either world—just an honest presentation of how weird it feels when they collide. The cinematography doesn’t try to be artsy, but it’s clean, effective, and lets the cast do the heavy lifting.
That said, the film does stumble here and there. Its biggest enemy is predictability. You can see the emotional arcs and comedic beats from a mile away. The hot-headed uncle will soften up. The teenage daughter will stop rolling her eyes. Sbu will have a (partial) epiphany and realize that maybe being a dad isn’t just about throwing money at problems. All of this unfolds exactly as expected, with little surprise.
Some of the gags overstay their welcome, especially in the second half, when the narrative loses a bit of its momentum. There are moments when you start to feel like you’ve been on this trip a little too long. A tighter runtime or more daring writing choices could’ve helped avoid the few lulls that creep in.
Also, while the script tries to touch on deeper themes like class division, cultural disconnect, and generational trauma, it only skims the surface. It gestures at complexity but then swerves back to the next punchline. That’s not always a bad thing—this is a comedy, after all—but you’re left with a sense that the film could have gone a little further without losing its light touch.
Still, there’s enough heart to keep you invested. The final act doesn’t deliver a grand emotional payoff, but it doesn’t need to. It lands in a more believable space—small shifts, quiet admissions, and a family that isn’t magically healed but maybe, just maybe, a little more self-aware. That’s all you really need in a comedy like this. A good laugh, a soft nudge, and characters you wouldn’t mind spending another weekend with.
What makes Meet the Khumalos work is its lack of pretension. It’s not trying to be the next big global phenomenon. It’s proudly local, distinctly South African, and filled with moments that will feel oddly familiar to anyone who’s ever been on a chaotic family holiday—or just had to survive a long road trip with opinionated relatives. You don’t need to be from Joburg or KZN to get it. If you’ve ever had an uncle who swears he knows a shortcut and ends up getting everyone lost, you’ll feel right at home here.
It’s not perfect. But it’s warm, funny, and well-paced (for the most part). More importantly, it knows what it wants to be—and doesn’t try to be anything else. That’s rare. It’s also why Meet the Khumalos ends up being a genuinely fun ride, even with a few potholes on the way.
Final Score- [7/10]
Reviewed by - Anjali Sharma
Follow @AnjaliS54769166 on Twitter
Publisher at Midgard Times
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