"Mummies," the 2023 animated film, is a bit of a mixed bag that leans heavily on its creative premise but stumbles through execution. The story kicks off in ancient Egypt's underworld, where Princess Nefer (voiced by Eleanor Tomlinson) is on the verge of an arranged marriage to Thut (Joe Thomas), a former charioteer who has lost his mojo. The film’s plot hinges on a magical ring, some unexpected time travel, and a series of wild chases through modern-day London.
The animation, though visually vibrant, feels like it hails from the straight-to-DVD era rather than a polished cinematic experience. Characters like Nefer and Thut, along with their pet baby crocodile, embark on a journey that attempts to balance adventure with comedic undertones. While the premise is imaginative, the storytelling often falls into the realm of predictability and leaves much to be desired in terms of depth and coherence.
One of the movie's most glaring issues is its narrative inconsistency. The film abruptly shifts from an ancient Egyptian setting to modern-day London, leaving behind a slew of unanswered questions and half-baked ideas. For instance, Nefer’s desire to become a pop star is introduced rather jarringly, leading to a spontaneous musical number that seems out of place. The villain, Lord Carnaby (Hugh Bonneville), embodies the stereotypical bumbling archeologist, adding a layer of slapstick humor that sometimes hits the mark but often misses.
Despite its flaws, "Mummies" does manage to sprinkle in moments of genuine humor and charm. The character dynamics, especially between Nefer and Thut, offer some lighthearted banter, and the inclusion of a baby crocodile adds a cute factor that might appeal to younger viewers. The film also makes an attempt at social commentary, touching on the historical theft of artifacts, though this theme is not fully explored.
Musically, the film makes some bold, if not bizarre, choices. The use of Nickelback’s "Far Away" during a poignant moment between Nefer and Thut is both unexpected and oddly fitting, encapsulating the film's tendency to make questionable yet entertaining decisions. The soundtrack, while lively, feels more like a Kidz Bop compilation, which might delight children but leave adults cringing.
The voice acting is competent, with Eleanor Tomlinson and Joe Thomas delivering performances that are engaging, albeit somewhat one-dimensional. Sean Bean's portrayal of the Pharaoh adds a bit of gravitas to the mix, though his character's mechanical control overnight and day feels more like a plot gimmick than a well-thought-out feature.
In terms of visual design, "Mummies" does have its moments. The ancient Egyptian settings are richly detailed, and the animation style, while not groundbreaking, is colorful and energetic. However, these visual treats are often overshadowed by a storyline that seems to be in a perpetual rush, glossing over character development and logical progression.
Ultimately, "Mummies" is a film that might entertain its target demographic of young viewers with its fast pace and humorous antics. However, for those looking for a more substantial and coherent narrative, the film may fall short. It’s an adventure that promises much with its intriguing concept but delivers only in fleeting moments of charm and humor. If you’re in the mood for some lighthearted fun and can overlook its myriad of flaws, "Mummies" might just be the quirky ride you’re looking for. Just don’t expect to remember much of it once the credits roll.
Final Score- [5.5/10]
Reviewed by - Anjali Sharma
Follow @AnjaliS54769166 on Twitter
Publisher at Midgard Times
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